DWC 201 · Louverture lecture · Revised 27 September 2026
Presentation · Original Claude credits and text sources
This addendum updates the supplied credit records. The active films and stills incorporate the 27 September caption edits; the image sources are unchanged. The Fort de Joux photograph’s source is still unresolved.
Creative Commons licences: CC BY 4.0 · CC BY-SA 4.0. The JCB’s reuse policy confirms CC BY 4.0 for its digital collections and requests its institutional credit. Catalogue dates describe images, not the events they illustrate.
Unknown artist; Paris print published chez Jean, circa 1800. Courtesy of the John Carter Brown Library.
Public-domain artwork; JCB digital collections: CC BY 4.0. Cropped to the figure.
The Commons record links this print to the JCB. The original package’s Cousin d’Avallon book link should not be treated as a verified catalogue identification of the equestrian print. The on-screen caption does not assign it an exact year.
Unknown artist, late eighteenth century; Wikimedia Commons.
Public domain / PD-Art, as recorded by Commons. Cropped to head and shoulders.
The Commons record leaves the holding collection unknown. The original package’s association with MUPANAH has not been verified for this particular reproduction.
Léger Félicité Sonthonax, Proclamation. Au nom de la République. Courtesy of the John Carter Brown Library.
CC BY 4.0 under the JCB digital-collections policy. First page, transparency flattened to white.
Item identification follows the supplied handoff. The JCB’s general digital-image policy was independently confirmed.
Richard Evans, 1816; Musée du Panthéon National Haïtien, as listed by Commons.
Public domain / PD-Art. Cropped to exclude crown and royal regalia.
This is a later royal portrait used for identification in scenes set before his kingship.
Louis Rigaud, 1878, as catalogued by Wikimedia Commons.
Public domain / PD-Art. Bust crop.
The date is confirmed by the file record, not by a fresh reading of the indistinct painted signature. No physical holding institution is asserted here.
Photo by Didier Moïse, 29 November 2013.
CC BY-SA 4.0. Image resized and cropped at top and bottom. The adapted photograph is shared under CC BY-SA 4.0.
The palace dates from the 1810s. It is distinct from the revolutionary leader Sans Souci. This credit supplements the shorter credit embedded in B4c.
Photographer, exact source file, photograph date and image licence remain unverified.
No licence is asserted. The supplied 500 × 332 photograph is retained. Cropped to the château at left; Fort Mahler at right is excluded.
The package contains only a category link, not the image’s file record. Candidate records could not be verified. Keep this as an outstanding attribution item for the next Claude handoff.
Plan de quelques Habitations du quartieir de Limonade, 1785. Courtesy of the John Carter Brown Library.
CC BY 4.0 under the JCB digital-collections policy. Cropped to the drawn plan; transparency flattened.
Identification follows the supplied handoff. The plan depicts a plantation landscape, not the geography of the insurgent organization drawn beside it.
Jacques François Des Longchamps, Carte d l’île de Saint Domingue, 1780. Library of Congress, Geography and Map Division.
Public-domain historical map, as recorded in the original handoff. Cropped, scaled; modern labels and locator added.
Shows geography, not military control. Attribution retained from the reviewed lecture assets.
Encyclopédie, “Œconomie rustique, Sucrerie”, plate II, 1762. Newberry Library.
Public-domain historical work, as recorded in the original handoff. Cropped.
Illustrates plantation machinery; does not depict a particular 1801 estate.
Atlantic outlines: Natural Earth 1:110m land polygons, public domain. Modern borders removed. All alliance lines, location markers and conceptual figures are teaching schematics.
Sans Souci, Pétion and the French command use named markers. Hegel and Fanon’s conceptual figures are not portraits of historical participants.
